long awaited reissue!

electric and vintage synths to create deep layers of analog goodness.

support for my life at 45 part 1 came from huey morgan and craig charles on bbc 6music the second instalment of dr rubbefunk s my life at 45 series. canvas cathedral on the a-side is a jazzy all-instrumental affair that will have you head-nodding like nobody s business. over uptempo hip-hop flavoured beats reminiscent of early 90s golden era hip hop, chopped and looped riffs from sax man ben castle give way to rolling melodies and rapid fire solos. on the flip, unstoppable gospel powerhouse izo fitzroy is here, flexing her soulful tones over one of the most elastic basslines ever pressed on wax. underpinned by signature laidback drums that groove like a classic rhythm section of yesteryear, tasteful guitars and chiming electric piano weave their way between izo s lyrics and, bingo! that s a little blahzay right there! always keen to give the djs a bonus, the good doctor even squeezes some canvas beats onto the 7- for good measure.

electric soul style

limited pressing on red coloured 180 gram double vinyl, housed in a gatefold sleeve.

repress without mp3 dl code / juan atkins infiniti project combines raw tactility and puristic elegance with skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure. alongside fellow detroit legend terrence dixon who appears on several tracks, atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul. the ongoing importance of this album is indisputable, essential both to techno and to tresor.

ltd handstamped, only 1 per customer

pressing on grey & multi-colour marbled vinyl.

juan atkins infiniti project combines raw tactility and puristic elegance with skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure. alongside fellow detroit legend terrence dixon who appears on several tracks, atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul. the ongoing importance of this album is indisputable, essential both to techno and to tresor.

having previously appeared on feel my bicep, optimo music, loft records and his own the hammer hits imprint, modern magic welcome belfast dj and producer hammer as the latest artist to their stable. the “ozone” ep is the dublin label’s 4th release, following 12”s from dmx krew, duke slammer and armonics, black spuma.

unlimited black vinyl edition with download code included.

for those familiar with the infamous birmingham techno movement, makaton is someone who needs little introduction. for those that arent, the brummie producer is the head of the inimitable rodz-konez and has seen himself showcase his cut-throat techno on seminal labels such as token and blueprint. his first contribution for voitax came at the end of 2017, with iconic dance floor slayer around the throat, which went straight for the jugular on the voi 010 v/a. a good half a year on and we get immaculata - makatons full debut ep for voitax. early support by ancient methods, and, anosme, anastasia kristensen, dave clarke, drumcell, electric indigo, henning baer, inigo kennedy, kangding ray, kwarz, manni dee, matrixxman , marcel dettmann, mark broom, phase fatale, pfirter, rebekah, ruffhouse, stephanie sykes, surgeon, swarm intelligence, svreca, tommy four seven, umwelt and many more.

including ozel ab remix (workshop artist).

limited 12 inch featuring howie b

die besten rock-klassiker aus der sat.1-show “die hit-giganten” auf doppel-vinyl im klappcover.

touch of loft wax 002 see’s label head nathaniel garry step out on the a-side with a club ready deep house dj tool. jacking percussion lays a solid groove as electric piano chords and deep pads set the mood, topped off with chopped up vocal samples to get the crowd pumping. london’s timothy clerkin serves up an ebm rave for his remix on the b-side, with a thumping kick drum and arpeggiator bassline sitting under twisted and warped vocals from the original. grab it. pop it in your dj bag. with the a-side for the warm up and the b-side for the peak time slot.

dark entries are honored to reissue the 4th full-length from carolyn fok / cyrnai, an asian-american female solo artist from the bay area. in 1990 ‘to subtle-drive’ was re-released with 2 songs from the 1988 release and 4 new compositions. this reissue adds 5 bonus tracks recorded during the same period spread across a double lp set. each copy includes a double sided insert with lyrics, photos and notes by carolyn. all songs have been remastered by george horn at fantasy studios. old-soul beat tracks on cassette with time and techno-guilotine songs.

ben gibson & fundamental interaction’s dyad records welcomes stephanie sykes, joton, electric rescue and binny for the third installment of common purpose series.

after a short hatius following the sellout dr001 - tommy vicari jnr s suction ep in 2015. drifted records latest sub-label project mid-flow series showcases the more electronic/breakbeat shade of minimal techno. their debut 8 track various artist compilation lp includes compositions from henry hyde, martinez, voigtmann, alicia hush, lee hume, unai trotti, amathia and bilal.

catch recordings return with their 13th release, this time from dj najaora. hes an emerging talent from the ever growing techno region in georgia who s mature, fully formed sound is showcased here across three innovative left-field techno & electro tracks. the excellent night dreamers takes the a1 spot. its an analogue electro cut throughout. with forceful broken drums accompanied by electric lead lines that provide a powerful energy for the dance floor. space call is a more cerebral and less dance floor affair that has you day dreaming amongst the meandering pads and classic detroit electro vibes. a soft acid line runs throughout, while the whole cuts creates nostalgia of old warp records last of all simulaq which takes the b-side has wide and vast rubber kicks alongside booming bass. making this side a merge of bass and electro. trippy stabs and dark energy pervades the whole thing, making it track for the late hours. while 13 is an unlucky number for some, this certainly doesn t seem to be the case for catch recordings.

fantastic jazzy funk! this is the second record by azymuth – and it’s way way better than anything they ever cut in america! it’s got a wonderful vibe that mixes brazilian fusion influences with the tight grooves of a maurice white-inspired generation – and the result still sounds amazingly great today. the record has great electric keyboards, some nice deep floating basslines and percussion, and it stands as some of the coolest, dopest stuff in this genre. with the great cuts “tarde”, “tamborim, cuica, ganza, berimbau”, “falcon love call”, and “aguia nao come mosca”. pressing on 180 gram vinyl.

supported by matrixxman, james ruskin, truncate, cari lekebusch, electric indigo, anthony parasole and many more. teksupport records is excited to unveil our first ep release. featuring one of italy s most exciting exports, marco effe, the >transients< ep is a perfect combination of rolling grooves and rhythmic synergy. offering up three of his latest originals, effe effectively offers listeners a package of journey-esque tunes that properly encapsulate the teksupport records sound. we have invited berlin based dj/producer - patrik skoog - to offer his take on effes >transient<. skoog makes a very impactful debut on the imprint.

limited to 300 copies. comes in a deluxe tip on sleeve. on her debut ep, brussels-based multi-instrumentalist esinam gives us an entrancing insight into her eclectic world of jazztronica. blending traditional and modern instruments with her soulful voice, the acoustic sounds of the instruments are allowed to evolve and take on new dimensions, opening up a kaleidoscopic spectrum of sound and colour.

in 2016, after reissuing two bruce haack albums, haackula and electric lucifer book ii, telephone explosion began speaking with ted pandel (bruces lifelong friend and business partner) about working on the 1970 masterpiece the electric lucifer. it turned out there was another matter that he wanted to discuss: finding a final resting place for the bruce haack archive.

auf seinem neuen album -r.u.r.- lässt der berliner produzent djedjotronic den kalten maschinen warme herzschläge folgen und umgekehrt. aufgenommen in einem basement in südfrankreich, besitzt -r.u.r.- eine techno-futuristische thematik über moderne isolation, robotik, ki, simulation und cyborgs, während es musikalisch hinweise auf ähnlich gelagerte produzenten-legenden wie cybotron, if, the hacker und ivan smagghe (zu seinen glorreichen dj-tagen im pariser pulp) gibt. der aggressivste dancefloor-moment ist zweifellos -take me down- mit douglas mccarthy (nitzer ebb) on vocals, ein industrial-arpeggio-monstertrack.

ako beatz is happy to have dj future deliver a serious 4 track ep. dj future pulls no punches on this release and also teams up with eric electric.

cabaret du ciel was an electronic research project based on atmospheric ambient and harmonic textures. luigi morosin explores electric guitar soundscapes while andrea desiderà, fascinated by synthesizers, navigates into melancholic notes. eu based label manufactured by late-night rec. melodic, cold, pop, hybride sentimento diffuses music for atmospheres. the ethereal side of synthesizer sound.

an evergreen disco-funk-calypso record, bunny mack’s ‘let me love you’ from 1980 was the first commercial hit for the sierra-leone-born composer and is now available alongside remixes by dj gregory and moplen on this unmissable 12” vinyl package. perfectly suited to dj gregory’s world fusion sensibilities, he worked a remix for defected in 2008, laying down additional percussion and emphasizing the electric guitar riffs. italian dj and vinyl junkie moplen introduces organ chords and synths in keeping with bunny mack’s afro roots on his brand-new remix discolypsomix. completed by an accapella version courtesy of bunny mack himself, this is another stellar lightbulb moment of rediscovery from 4 to the floor

the secret gem of space disco vibes, ichisan will be releasing his new ep via kanto records. first track of the ep, megla (the fog) is some sort of an instrument showcase by the slovenian producer, who used his analog synthesizers deftly to accompany the funk-house strumming of his bass and electric guitars, both played by the artist himself. veter (the wind) is a five-minute-long journey into the depths of unique and captivating musical mind of ichisan, daring to be simple yet invoking majestic feelings. third and fourth track of the ep, planica and yassa are more dancefloor oriented tunes that beam with positivity and energy, both have the potential to become anthems of the summer and beyond. arranged, recorder and mixed in ichisans own studio in ljubljana, the ep megla is brimmed with phenomenal beats that would not disappoint even the pickiest ears.

echocord’s echo echo sub-label continues with its third releases this august, courtesy of german producer and credo founder alex bau with his ‘zenstory’ ep. germany’s alex bau has been a prominent name on the underground dj circuit on his home turf, and further afield, for three decaces as well as racking up an impressive back catalogue as a recording artists for labels like cocoon, clr, sleaze and of course his very own credo label which has been a platform predominantly for his own material whilst welcoming the likes of kyle geiger, takkyu ishino and electric rescue onto the imprint also. here though we see bau joining the roster of echocord’s fledgling sub-label echo echo with a new four-track ep and taking the lead on the package is ‘clouds’ with pulsating low-end tones, hissing analogue noise and dusty drums samples all flowing in unison with ethereal chords and sweeping pads. ‘contour’ follows, tipping the focus over to bubbling delayed stab hits, fluttering sub bass and evolving white noise bursts throughout. the ‘prelude’ of ‘zenstory’ opens the flip side and as the name would suggest it’s a cinematic build up to the title-track featuring tension-building, expansive atmospherics ahead of the original mix which features a thumping muted kick, stuttering atmospheric echoes and spoken word vocal tucked into the depths of the record.

calvin harris debut album *i created disco* (2007) contained a handful of chartbusters. *acceptable in the 80s*, *colours*, *vegas*, *the girls* and *merrymaking at my place* were very successful in the european charts - 2018 reissue

croatian producer ilija rudman returns to classic with his funk-drenched ‘lovers change minds’. well-known for his distinctive analogue-disco sound, the record’s delivery on 12” vinyl comes as a perfect pairing. he remains reverent to his well-rounded retro style with heavily filtered soft vocals complimented by a deep 70s-centric bassline. hot toddy’s bass-focused mixes come laden with electric guitar riffs and synth flares for an even slicker groove on ilija’s smoothly minimalist masterpiece.

an ardent heart is a focused techno mini album that brings forward stefan goldmann’s most dancefloor-centered material in a decade. the tracks push and pull relentlessly. despite their linear appeal, there is an intricately balanced interplay between the heavy-handed kicks, the bouncy bass accents and the sizzling, yet clear-cut details whipped up by the rallying drums. the peculiar, seemingly “vocalised” mode of synthesis is maybe the most unifying sonic characteristic of the six tracks and one coda. formant shaping, vowel filters and airstream perturbations let a wide range of sounding elements speak in the tongues of a cybernetic babylon. layered polymetric patterns perforate the aural plane with alien scripts. clearly structured, yet opaque messages that seem to have traveled for aeons emanate from the red-hot circuitry. they spill into a network of delays, channeled down into labyrinthine corridors, enveloped in electrostatic noise. most tracks build on chance patterns evoked with hardware sequencers and freeform modulation sources. the resulting synthetic systems are as cohesive as they exhibit vast internal variation and range. thus balancing simplicity and complexity right in the middle, the results are just as immediately gripping as they can feed sustained attention. a wide palette of distortion and overtones mark the contours of individual elements that seem to have near-physical qualities – as if there were metallic strings, thick membranes, a resonating sphere, all struck by electric mallets, caused to vibrate by mechanical bows and sung by silicone lips.

now available for the first time on vinyl, one way static records presents the second volume in our new archival series ‘la vie electronique’. this volume (1.1) focuses on the years 1970-1972 and is spread over two glorious lp’s containing +78 minutes of klaus shulze rarities. this deluxe vinyl set also comes with an insert containing extensive liner notes. available as a limited classic black vinyl retail edition (700 copies) with obi strip.

we’ve always loved their records, but this time around there’s something maybe even more incredible - this instant classic vibe that rings out right from the very first note, as the voices of the singers trade back and forth, and blend - and the instrumentation follows suit with this subtle weaving of acoustic and electric elements. remastered reissue on 180 gram vinyl.

peter kadergard has been active in the helsingborg (sweden) electronic music scene since the early 1990 s. he was involved in various collaborations during the 90 s and appeared on a few cassette releases under the names grodans fodelsedag, marchentraum and mannix system. peter released his first rittowski record on the borft sub label djuring phonogram in 2004. apart from this electro project peter is a member of the bands goz mongo alliance and inyurmania, who has made a few releases on the ufo mongo, pripuzzi and skiboy record labels. this is new electro!

speed for lovers release debut album hot yoga emoji on society records / ubishi recordings originally from sheffield, liverpool & the forest of dean, the three lovers met in the network of little mesters music studios on john street in sheffield. initially engineering, producing and playing on each other s projects, they subsequently teamed up to form speed for lovers in 2010. the past eight years have been spent wearing out rave trainers, building studios in their attics and sheds, geeking out with sound on sound articles and faffing with tech. with two members who came and stayed and one who couldn t leave, hot yoga emoji is the band s ode to sheffield. field recordings of late nights out and early stumblings home link tracks together and place their moments of creation in the city. spurred on by sheffield s kabal nights and trips to the electric chair in mcr, hot yoga emoji mixes live drums and bass guitar with pocket sound generators, old synths and vocals to create an album of irresistible live dance music.! single vinyl lp

volume 4 -sound of the summer ep - from tropical disco edits crew brings in the summertime with 4 expertly crafted cuts, each perfectly tailored for the discerning disco dance floor. tropical disco edits are pleased to present their latest member of the family, moodena who premieres on the label with his summer groove -strawberry jam- a jazzy disco fusion with tinges of george benson, sure to sweeten up any dance floor. tropical disco edits boss sartorial comes in with two jazz funk rollers in -feel it- and -electric lane-, with both tracks having his signature sound that just makes you wont to shake your booty! finally, -got you the floor- sees simon kennedy team up with sartorial to produce a classic groovin tropical disco track - a real favourite with in the tropical disco family! dj support: eli soul clap, aaron razor n tape, chez damier, marshall jefferson, faze action, dj spen, get down edits

lp with full color jacket, deluxe printed sleeve, 140g vinyl, digital download code.

some crate-digging compilations are often the result of someone hand-picking their choice favourites from another country’s musical history, perhaps unaware or uninvolved with its cultural lineage in the process. on this release - a treasure trove of synth jams, pop, samba boogie, balearic and electro from 1980 & ‘90s brazil - the tracks are picked by millos kaiser, one half of the brazilian duo selvagem, who are at the helm of throwing some of the country’s best dance parties. it’s a rare compilation that offers brazilian music actually picked by a brazilian.
this collection of sixteen tracks doesn’t comprise tracks scoured from deeply in-demand records, the rare sort that sell for eye-watering sums and that collectors spend years tracking down. they are the sort you’d find for a few quid should you come across but, as kaiser says, “the problem is finding them. they aren’t rare because everyone wants a copy but because no one wants them, not even the dealers.”

an astronomical conjunction has cropped up. arpanet is back after a long interstellar hibernation and 30drop comes up with its particular vision of the abstract elektro for the very first time. “phases ep” takes the primal warp’s heritage blending hypnotic melodies with rhythmically complex patterns. arpanet, which keeps the exquisiteness of its previous works for rephlex, among other labels, gazes into the black profoundness of its own and unique universe. 30drop’s two cuts, ostensibly touched by the aphex twin spirit, are a spellbinding exercise of style. “phases ep” is experimental, atmospheric, rhythmic and, above all, flawless. this enthralling ep is presented in electric blue vinyl. a special shape for a very special alliance.

exclusive and limited repress of some jams of our back catalog.

limited edition of 1000 copies on green & yellow marbled vinyl (death money) with download code included.
vive la void is the new solo project of sanae yamada, co-founder and keyboard player of moon duo. yamada wrote and recorded the self-titled debut album over roughly a two-year period, during windows of downtime in moon duo’s substantial touring and recording schedule. the dense, shape-shifting atmospheres of the seven songs grew out of late-night basement experiments in the layering of synthesizer tracks, a process that also led to meditations on the changeable nature of memory and perception. the result is an undulating blend of ethereal swirl, low end thrumming, and electric crackle, buoyed by yamada’s understated but captivating vocal melodies and her striking lyrics.

fans of the berlin based nils frahm are by now familiar with his beguiling live shows where more often than not fellow touring artists are encouraged to join frahm on stage – the likes of rachel grimes, rob lowe of balmorhea as well as label colleagues peter broderick and Ólafur arnalds have all obliged with fascinating results. it will come as no surprise then that nils frahm, an accomplished composer and producer who signed to erased tapes in 2009, has extended his collaborative live musings to encompass the recording studio, working for the first time with noted cellist and fellow berliner anne müller to produce 7fingers.
with their first collective release frahm and müller have built a world where modern classical and electronica collide creating an intoxicating and delicious collection of songs. primarily a pianist nils frahm provides evidence with 7fingers that he can effortlessly turn electric throwing in loops, samples and glitches to accompany and showcase müller on cello. anne müller, a renowned musician noted for her work with the wolf-ferrari-ensemble, phillip boa and recent tours with agnes obel, proves an amp musical partner for frahm.
the vinyl release includes a download code.

after the highly successful first volume in the stag-o-lee dj set series we present volume 2. again an 80 minute set - this time by stuttgart based dj joe whirlypop. joe is a jack of all trades, someone who can make a wedding crowd dance, is well versed in new wave and punk and everything in between. but his biggest love is the 50’s and early 60’s. he is playing all over stuttgart for years, but these two discs reflect his monthly shake your bones residency at stuttgarts famous goldmarks club. expect all kinds of blues - from jump to rhythm & to raw electric.

with pure nordic love, thorgerdur & a:g break out with their first ep together, setting the mood for their concept blossy with a blossy ep. radiant opens up the ride with an electric and uplifting atmosphere, before allure takes over with some tambourine-driven darker techno. on the flipside, the title track introduces a fairly epic theme on top of seductive rhythms with a strong bassline. coming full circle, tingling touches upon the more minimal side, providing trippy elements on top of low-swung 909 grooves, created with a good after in mind.

death in vegas return with the single ‘honey’, its second collaboration with sasha grey. ‘honey’ is a slow, seductive serenade, with an organic, psychedelic tone: dreamy and dripping with intensity.

the b side features ‘witchdance dub’, richard fearless’ long-held remix of ‘witchdance’ off trans-love energies, featuring the haunting vocals of katie stelmanis from austra. fearless cut three dubplates of ‘witchdance dub’ after he mixed this track. dj harvey has one, prosumer the other, and fearless kept the 3rd: delicate acetates that have been played out sparingly but with electric effect. this track is effortless, minimal dance music imbued with fearless’ unique production sound- it’s not one to miss.
180g vinyl

recording this record in cuba was a special moment in my life, louie says. for the first time elements of life, anane vega, josh milan, luisito quintero, gene perez, axel tosca and louie vega embarked on a trip to cuba to participate in two beats one soul album on rvmk records. the results were four tracks on the album and one of them a very unique song music and life featuring the sultry and angelic voice of anane vega. the song was penned by josh milan, and louie vega contributed with the music. gene perez on electric bass, josh & axel tosca on keyboards, and luisito quintero on percussion. released as a digital single recently, its now on many radio and club charts worldwide, as well featured on compilations. on top of all this momentum vega records, then reached out to rvmk records and licensed the track for a special picture vinyl release. the picture vinyl is a collectors piece, get your hands on it fast as there will be a limited number made. anan evega on the picture vinyl with her signature as well, colorful and sonically delicious!